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1.
A BUCKET OF BLOOD AND THE GHOST OF MARK TWAIN After our marriage exploded Vicious lies were unloaded From a double barrel shotgun That split and wounded everyone. Before the holes started bleeding The vultures began feeding Tearing bodies and souls apart Old skeletons and broken hearts. Now there’s a bucket of blood Spillin’ in muddy rivers of pain. There’s another bitter tale By the ghost of Mark Twain. After our side was defeated The enemy retreated. There was no one left and no one right. Assassins hidden in plain sight. Before we cross the equator Following heroes and traitors While shooting past Planet Earth We can’t be separated by birth. Now there’s a bucket of blood Spillin’ in muddy rivers of pain. There’s another bitter tale By the ghost of Mark Twain. If you go down the road with the ghost white lines, You won’t see the dead end where the Blood Moon shines. If you pick up that whore in the pouring rain, Mark my words, you’re gonna swerve, into an oncoming lane. With a bucket of blood and the ghost of Mark Twain. HEATH/GREGG ©2021
2.
JULIE DIAMOND A sixteen year old lifeguard At a hotel pool in Rhode Island Flooded the jukebox with Paul Simon Her tan was even, I was eleven, and so in love with Julie Diamond. Back home in Carolina Cecilia was two years finer Coastal sands shimmered with moonlight Her hair seemed silver wait, was Silvia her name or Julie Diamond? You’re still in my mind Julie Diamond. Are you still alive Julie Diamond? You still shine Bright color crazy Through my memories So hazy You will never die Julie Diamond. A sixteen year old lifeguard At a hotel pool in Rhode Island Flooded the jukebox with Paul Simon Her tan was even, I was eleven, and so in love with Julie Diamond. You’re still in my mind Julie Diamond. Are you still alive Julie Diamond? You still shine Bright color crazy Through my memories So hazy You will never die Julie Diamond. HEATH/GREGG ©2021
3.
UNKNOWN SOLDIER There’s been a killing outside And I hide from the danger I feel the pulse of panic Rising in my neighbors. There’s another loss of life In the light of the living The bells of death and darkness Are forever ringing. I’m losing strength in my legs Oh, I twist my face I’m so afraid of the Unknown Soldier Whose heart is cold Whose soul, I’m told Is even colder. There’s a frost in the newsprint Subtle hints to the chaos Am I the only one that sees The Secret Holocaust? He’s recruiting an army Alarming in its numbers The fight looks so attractive For all the Newcomers. I’m losing strength in my legs Oh, I twist my face I’m so afraid of the Unknown Soldier Whose heart is cold Whose soul, I’m told Is even colder. HEATH/GREGG ©2021
4.
Interface 07:04
INTERFACE Human enhancement Install Neural Lace A.I. D.N.A Brain Machine Interface. Hand over control To be entertained Willing to let Them Cut into our brains. All linked to the Mainframe With our minds in the Cloud Access information But only what’s allowed You won’t be all human And not quite The Undead While you walk upon the Earth With a Thread in your head. Hand over your thoughts From the day you are born Collect and Connect Until we all are Borg. All so convenient To access anything Improving our weak minds Like Super Human Beings. All linked to the Mainframe With a mind in the Cloud Access information But only what’s allowed You won’t be all human And not quite The Undead While you walk upon the Earth With a Thread in your head. HEATH/GREGG © 2021
5.
ISABELLA, MAKE IT GOOD When I first met you You were a whore You know it and I know it For sex I took you to Brazil And made you a movie star I’ll do the same thing here But don’t expect me to Have sex with you All the time. I was unfaithful In Rio, Dear You on a cheap jungle set Kissing Some Venezuelan boy. Me, I’m the Rain Forest God And I’m thunderclouds of magic If you think your scene Was a humid affair Think again, dear. There’s no delicate way to say I’m getting tired of you. I’d love to throw you out And replace you with somebody new. I’d lose my status in the Vanity Fair Taking all of yours and half of my share. So, here we are out in Hollywood The South American Pair…Isabella, make it good. I want you to drop Your think accent I want your eyelids Latin Green Your dress Something out of the 40’s Saturate your hair darker red We want the dye to rub off In some producer’s hands So they’ll remember us Tomorrow,dear. There’s no delicate way to say I’m getting tired of you. I’d love to throw you out And replace you with somebody new. I’d lose my status in the Vanity Fair Taking all of yours and half of my share. So here we are out in Hollywood The South American Pair…Isabella, make it good. HEATH/GREGG ©2021
6.
Uncle Jokey 03:09
UNCLE JOKEY He comes on so loud He’s so damn proud Pervert, Out vert Uncle Jokey His voice speaks volumes He sucks up a room Frantic, Manic, Uncle Jokey. Ha, Ha, Ha He’s so funny Blah, blah, blah He’s so phony Throwing a fit He’s so full of shit I’ll bet you any amount of money He doesn’t know that folks Call him Uncle Jokey. Serious, Delirious Uncle Jokey Toxic, Obnoxious, Uncle Jokey. He lights fuses, then He blows up again Centennial, Mental Uncle Jokey He conquers, destroys He hates and enjoys Mother Fucker, Uncle Jokey. Ha, Ha, Ha He’s so funny Blah, blah, blah He’s so phony Throwing a fit He’s so full of shit I’ll bet you any amount of money He doesn’t know that folks Call him Uncle Jokey. Ranting, Panting, Uncle Jokey Bitchy, Witchy Uncle Jokey. HEATH/GREGG ©2021
7.
FROM HELL TO BREAKFAST You sit at the table with three legs While Satan scrambles you deviled eggs And at your feet lies a beast that begs. I drink my dinner before it gets cold Things get hotter as the night unfolds Daylight breaks and the tea kettle blows. From Hell to Breakfast is where I eat From Hell to Breakfast, pull up a seat From Hell to Breakfast is where I’m weak. Don’t know how I became a sick sow The bacon sizzles until it howls Mr. Piggy oinks out something foul. From Hell to Breakfast is where I eat From Hell to Breakfast, pull up a seat. From Hell to Breakfast is where I’m weak. HEATH/GREGG © 2021
8.
DREAMS ON LANAI Awake in my bunk at midnight Breathing tropical pineapple air Before sunrise we’re loaded In a rusted truck Then dumped in a field somewhere. Hauling burlap sacks Of green crowns To be planted in Hawaii’s Deep red ground. And soon we’ll get a tour of The Islands Have a Luau in Paradise Waikiki sunsets and Hula dancers Consumed all our dreams on Lanai Between Maui and Molokai. Slave labor strung out like Puka Shells Long boring weeks of long blue days With Pele on the mountain And Manele’s kapu. I guess they’ll have us picking today. Tossing the golden fruit Up on the Boom I might just die if I don’t Pau Hana soon. And soon we’ll get a tour of The Islands Have a Luau in Paradise Waikiki sunsets and Hula dancers Consumed all our dreams on Lanai Between Maui and Molokai. Haole Boys sweating all Summer Melting in our Hale at night Honolulu’s city lights and swaying palm trees Enchanted all our dreams on Lanai Like Ukuleles playing “Bali Hai.” HEATH/GREGG ©2021

credits

released May 24, 2021

John Heath and the Impresarios:

8 Track Tapes is the long-awaited follow-up to John Heath’s 1994 album, Optimistic Voices.

Released May 24, 2021

PRODUCED AND RECORDED BY:
John Heath and Joey Wyatt Gregg

MIXED AND MASTERED BY:
Jimm Kjelgaard

RECORDED AT:
Reality Society Studios

MIXED AND MASTERED AT:
Haus Of Sol Studios

LYRICS AND ART DIRECTION BY:
Joey Wyatt Gregg

MUSIC WRITTEN AND ARRANGED BY:
John Heath

THE IMPRESARIOS:
Joey Wyatt Gregg: Vocals, Programming, and Washboard
Marc Hanson: Electric Guitar
John Heath: Vocals, Piano, Keyboards, Programming, Cigar Box Guitar, and Ukulele’s
Roman Heath: Guitars and Programming
Lori Lynner: Vocals
Algie Powers: Vocals, Acoustic Guitar, and Accordion
Paul Richards: Acoustic and Slide Guitars
Angel Williams: Percussion

SPECIAL APPEARANCE BY:
Monet Heath

MANAGEMENT BY:
Chairman Rea L. Liddy

PHOTOGRAPHY BY:
Albert Nelson

8 Track Tapes is dedicated to Brooke.

ALL SONGS ©2021 REALITY SOCIETY
ALL RIGHTS RESERVED.

HEATH WILL RETURN.

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